Amadeus Mozart

Wolfgang Amadeus Mozart lived from January 27, 1756, to December 5, 1791, and was a musician (also known as a music composer), percussionist, and music educator. He was baptised with the full name Johannes Chrysostomus Wolfgangus Theophillus Mozart. He was Leopold and Anna Maria Mozart's youngest child. The city of Salzburg, which is now a part of Austria, was a free archbishopric city at the time of his birth, and it was a part of the Bavarian Imperial Circle/German Empire. The young Mozart had exceptional musical skills at a young age. For numerous years, he performed for royalty and the upper class of aristocracy while touring Europe with his parents and older sister "Nannerl."

Young Mozart attempted but failed to make a name for himself as a composer in Paris. When he returned to Salzburg, he temporarily worked in the archbishop's court there. He felt Salzburg was too tiny for his skills and was aware of his brilliance. He moved to Vienna and had some success there. He has two boys after being married to Constanze Weber. After a brief but mysterious illness, he passed away in Vienna.

More than 600 of Mozart's musical compositions are of the most extraordinary calibre. His compositions include the operas The Marriage of Figaro, Don Giovanni, Cos fan Tutte, and The Magic Flute, as well as the E-flat major, G minor, and C major ("Jupiter") symphonies, concertos for piano, violin, and a variety of wind instruments, as well as a large number of chamber works, works for the church, minutes and other dances, songs, and the Requiem. Mozart is recognised as one of the finest composers to have ever lived, along with Bach and Beethoven.

Family

Wolfgang Amadeus Mozart was a Salzburg native, the son of Leopold and Anna Maria Mozart. Author of the finest primer to violin playing, Leopold played the violin in the orchestra of the archbishop of Salzburg. From a very young age, Mozart displayed extraordinary artistic ability. At the age of five, he created little pieces of music and started playing both the violin and harpsichord. Maria Anna, a bright young woman, was Mozart's sister. He crossed paths with Johann Christian Bach, a musician who was one of Johann Sebastian Bach's sons. He invented a fugue while sitting on Johann Christian Bach's knee. They became close mates and regularly collaborated in a string quartet after he joined the composer Joseph Haydn.

His opera The Marriage of Figaro was top-rated, and in 1787 he gave the first performance there of his opera Don Giovanni. The Mozart family soon returned to Salzburg. Eventually, they left yet again for Vienna in 1768, where Wolfgang, when he was twelve, conducted a rendition of his initial opera, Bastien und Bastienne. He flew to Italy and discovered music there from many famous Italian composers, including Gregorio Allegri, who had written a piece called Miserere. The printed music was concealed from view to ensure that no other chorus could replicate it. Despite listening to the piece only once, Mozart mastered the entire thing. He travelled in 1777 alongside his mother. Mozart planned to bring her to Italy in hopes of making her prominent, but his father interfered.

In 1778, Mozart's mother and he had relocated to Paris. There, his mother passed away. In his early years, Mozart composed just few short operas, but Idomeneo was his most extensive work. He visited Vienna the next year. He was again serving for the Salzburg Archbishop, much the same as his father. After disputing with the Archbishop on his return to Salzburg, he was officially deported. To spend the remaining years of his life, Mozart relocated to Vienna. The union was not supported by Mozart's father. They frequently lived in dire circumstances notwithstanding Starch's content being a devoted wife; yet, like Mozart, she was not proficient with money.

Death and Illness

The Magic Flute's symphony on which he worked for a long time was completed, the opening ceremony was conducted, and Mozart travelled to Baden, Austria, where he and his wife resided, and began writing the Requiem after returning to Vienna after a journey to Prague. Many individuals were present when he died, but most only wrote down their memories. Sometime later, his sister-in-law remembered that Mozart was so bloated that he struggled to turn over in bed and suffered from a maximum temp, due to which the health practitioner ordered cold compresses. "Fever and rash," which were deemed symptoms rather than a sickness even in the 18th century, were cited as the reason for death.

An epidemiological analysis that appears in the Annals of Internal Medicine's 18th edition reveals that he was a victim of an epidemic streptococcal infection. The most frequent characteristics included TB, malnutrition, oedema, gastrointestinal illness, and cerebrovascular disease. "Like those before us, we've considered all the indications and symptoms," Dr Stroke is brought on by this blood vessel condition. However, oedema was the only condition with a higher prevalence among younger males in the winter of 1791-1792 compared to the previous years, indicating a mild pandemic of an infectious illness. Oedema is also linked to several heart and kidney conditions that are persistent, although Mozart's illness came on quickly.

Mozart also suffered a rash, backache, and oedema, which were signs of a streptococcal infection. The significant swelling might be explained by the fact that glomerulonephritis, an acute kidney illness, is sometimes present after streptococcus.

Mozart Music

Like Haydn, Mozart's music is the best of what is known as the Classical style. Tastes were changing in music. The piano, which had just recently gained popularity, was the first significant instrument on which great music had been composed. A symphony was typically a brief, uncomplicated form of amusement when Mozart was a young child.

Mozart meticulously developed the symphony into a composition that may run up to 30 minutes. His concertos are significantly more sophisticated than anything that has been composed before, particularly his piano concertos. Although Mozart occasionally acted in juvenile ways, he firmly understood the human character. This is evident in his operas, where he used a variety of subtle effects to convey the emotions in the narrative.

One of Mozart's most important compositions is an opera. He produced music that perfectly captured the qualities of the individuals in the operas because he had a deep understanding of human nature. Mozart created several works in a more widespread manner, including some melodies that are still well-known today, in addition to many great masterpieces. He is well-known for his serenade Eine Kleine Nachtmusik K525 and the Turkish Rondo from his Piano Sonata in A K331, which serves as Symphony No. Mozart was later captivated with Stein pianos in Augsburg.

The most outstanding examples of the so-called Classical style may be found in Mozart's and Haydn's music. The Baroque era was drawing to an end when he began to write. Music preferences were evolving. Counterpoint was viewed as less significant than form, balance, and grace. The piano had recently gained popularity, and Mozart was the first prominent composer to produce music for it. Mozart meticulously planned out the symphony to be a 30-minute composition. His final three symphonies are exceptional masterpieces. His concertos, particularly his piano concertos, are far more sophisticated than anything that had been before created.

Works and Innovations

Like Haydn, Mozart is regarded as the prototypical composer of the Classical era. When he started to write music, the Galant style dominated European music as a response to the highly developed complex of the Baroque. The late Baroque contrapuntal intricacies gradually returned, controlled and regulated by new forms, and adapted to a new aesthetic and social context, largely thanks to Mozart himself. Charles Rosen conveys his case with conviction.

Only by acknowledging the brutality and sensuality at the heart of Mozart's compositions can we begin comprehending his structures and his greatness. Schumann's shallow interpretation of the G minor Symphony paradoxically aids in our ability to discern Mozart's demon clearly. There is something startlingly sensuous in all of Mozart's masterful depictions of agony and fear.

Others imitate J. C. Bach's compositions, while others display the straightforward, rounded binary shapes created by Viennese composers. As Mozart evolved, he added additional elements that were adopted from the Baroque. For instance, the opening movement of K. 201's Symphony No. 29 in A major features a contrapuntal central theme and experiments with varying phrase lengths. He presumably took inspiration from Haydn, who had three fugal finales in his freshly released Opus 20 set in some of his quartets from 1773.