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Historical Biology: An International Journal of
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Digital reconstruction of Rodrigues Solitaire
(Pezophaps solitaria) (Aves: Columbidae) physical
appearance based on early descriptive observation and
other evidence
ab
Mart ín A. Rodríguez-Pont es
a
Laborat orio de Et ología, Ecología y Evolución, Inst it ut o de Invest igaciones Clement e
Est able, Minist erio de Educación y Cult ura, Avenida It alia 3318, CP 11600, Mont evideo,
Uruguay
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b
Depart ament o de Ciencias Biológicas, Cent ro Regional de Prof esores del Cent ro (ANEPCFE), Independencia y 24 de Abril, Ciudad de Florida, Uruguay
Published online: 29 Sep 2014.
To cite this article: Mart ín A. Rodríguez-Pont es (2014): Digit al reconst ruct ion of Rodrigues Solit aire (Pezophaps solit aria)
(Aves: Columbidae) physical appearance based on early descript ive observat ion and ot her evidence, Hist orical Biology: An
Int ernat ional Journal of Paleobiology, DOI: 10. 1080/ 08912963. 2014. 954569
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Historical Biology, 2014
http://dx.doi.org/10.1080/08912963.2014.954569
Digital reconstruction of Rodrigues Solitaire (Pezophaps solitaria) (Aves: Columbidae) physical
appearance based on early descriptive observation and other evidence
Martı́n A. Rodrı́guez-Pontes*
Laboratorio de Etologı́a, Ecologı́a y Evolución, Instituto de Investigaciones Clemente Estable, Ministerio de Educación y Cultura,
Avenida Italia 3318, CP 11600 Montevideo, Uruguay; Departamento de Ciencias Biológicas, Centro Regional de Profesores del Centro
(ANEP-CFE), Independencia y 24 de Abril, Ciudad de Florida, Uruguay
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(Received 7 May 2014; accepted 11 August 2014)
Rodrigues Solitaire (Pezophaps solitaria) is an extinct (eighteenth century) flightless bird endemic to Rodrigues Island
(Mascarene Islands) and a sister taxon of iconic extinct Mauritian Dodo (Raphus cucullatus) (Columbiformes,
Raphinae). Although numerous sub-fossilised bones have been recovered, no soft-tissue samples or taxidermically
prepared specimens of Pezophaps solitaria are known to exist. The objective of this study was to produce accurate
detailed digital reconstructions of Pezophaps solitaria based on early descriptions, contemporary and post-contemporary
paintings, academic literature and images of mounted skeletons. Reconstructed images of Pezophaps solitaria generated
illustrate the use of an established approach to visualise the appearance of this bird just before human influence and
extinction. Digital simulation of photographic quality of males, females, juveniles and eggs of Pezophaps solitaria was
obtained for the first time in this study. Inferred plumage crypsis in the Solitaire can be suggested to be superfluous in
that their habitat was free of predators. There were a relatively large number of birds seen on the island by contemporary
visitors, and thus it can be suggested cryptic colouration might be part of an adaptive strategy for intraspecific
competition.
Keywords: Solitaire; Pezophaps solitaria; zoo-archaeology; digital technology; virtual recreation
Introduction
Rodrigues Solitaire Pezophaps solitaria (Gmelin, 1788)
was a flightless bird endemic to Rodrigues Island (one of
the smallest Mascarene Islands east of Madagascar)
(Cheke and Hume 2008; Parish 2013; Hume et al. 2014).
Pezophaps solitaria was most closely related to the wellknown bird driven to extinction by anthropogenic factors:
the Dodo Raphus cucullatus (Linnaeus, 1758) of
neighbouring Mauritius Island (Fuller 2002; Shapiro
et al. 2002; Hume 2006; Turvey and Cheke 2008; Parish
2013). The Dodo became extinct in the seventeenth
century and the Solitaire in the eighteenth century. Both
species were eradicated due to overhunting and introduction of invasive predators (Hume 2006; Cheke and Hume
2008; Parish 2013; Hume et al. 2014). They were the only
two representatives of the subfamily Raphinae, now placed
in the family of doves and pigeons (Columbidae). The
recent discovery of extinct Viti Levu Giant Pigeon
Natunaornis gigoura (Worthy, 2001) from the late
Quaternary in Fiji indicated that flightless gigantism in
insular Columbiformes was not restricted to the Mascarenes. The appearance and behaviour of the Solitaire were
described in some detail by three contemporary visitors
(Franc ois Leguat, Julien Tafforet and Gennes de La
Chanceliére) to Rodrigues Island and to a lesser extent
by at least two visitors to larger Mascarenes Islands
*Email: martinangel@adinet.com.uy
q 2014 Taylor & Francis
(Pierre-André D’Heguerty and Jacques-Thomas de
Jonchée) (Rothschild 1907; Cheke and Hume 2008; Parish
2013). Many compilations of illustrations of both ‘didines’
during the intervening four centuries reveal a much greater
historical interest in picturing the Mauritian Dodo than the
Rodrigues Solitaire (Owen 1879; Hume 2006; Hume et al.
2006; Parish 2013). The Dodo was a subject of more
interest, celebrity and fascination than the Solitaire both in
academic circles and popular culture (Hume 2006; Turvey
and Cheke 2008; Parish 2013; Hume et al. 2014). Many
extant Dodos were exported to Europe and at least one
portrait of a living bird was painted (Parish 2013).
In addition, there were a considerable number of postcontemporary paintings, outlines and even recent digital
reconstructions of the Dodo (Rothschild 1907; Hume
2006; Hume et al. 2006; Parish 2012a, 2012b, 2012c,
2013). In contrast, only Leguat (1708 in Leguat 1891;
Rothschild 1907; Parish 2012a, 2012b) in having observed
living specimens provided the very few reliable contemporary illustrations of Solitaires. Only one such
illustration shows the bird in some detail (Figure 1),
whereas many very small drawings of Solitaires are
included in the maps of Rodrigues Island. Many postcontemporary illustrations of this bird, e.g. by Guéneau de
Montbeillard and by Émile Oustalet (in Parish 2013) are
very inaccurate representations of Leguat’s work
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M.A. Rodrı́guez-Pontes
Figure 1. (Colour online) From left to right and from top to bottom: the contemporary drawing of Pezophaps solitaria made by Leguat
(1708 in Leguat 1891; Rothschild 1907), and some pictorial representations showing the evolution of the aspects of reconstructions of
Solitaire. The post-contemporary drawings by Guéneau de Montbeillard (1803, pl. xxxiii in Parish 2012b) and Émile Outstalet (1874,
p. 408 in Parish 2012b) are modified reproductions of Leguat’s original work. In contrast, post-contemporary paintings by Frederick
William Frohawk, in Rothschild (1907, pl. xxiii in Parish 2012b), J. Hume (NMH Picture Library, w Julian Pender Hume in Parish 2012b)
and J.C. Parish (w Jolyon C. Parish in Parish 2012b) are based on additional and more detailed evidence and analysis.
(Figure 1). On the contrary, many post-contemporary
paintings and outlines of Solitaires based both on skeletal
reconstructions and early descriptions have been made
since the nineteenth century (Rothschild 1907; Parish
2012a, 2012b, 2013; Hume and Steel 2013), but far fewer
than those of the Dodo. Detailed digital photographquality reconstructions of Pezophaps solitaria showing its
appearance in life could contribute to a better understanding of its ecology, behaviour and systematics.
In addition, due to the lack of stuffed specimens, paintings
or scientific illustrations of living Solitaires, virtual zooarchaeological digital simulations will likely enable
refinement in understanding contemporary descriptions,
paintings and osteological relics (Bawaya 2010; Betts
et al. 2011).
There is controversy and much evidence of misinterpretation in existing contemporary illustrations of
Dodos (Hume 2006; Hume et al. 2006; Parish 2012a, 2013)
that have in turn contributed to an incorrect understanding
of many of its physical attributes (plumage textures,
intraspecific colour variation, as well as colour tone of
beak and foot). This, however, is not the case for Solitaires
in which there remains only one contemporary drawing of
a living bird in some detail (Leguat 1708 in Leguat 1891;
Rothschild 1907). Only a few post-contemporary pictorial
representations of the Solitaire derived from skeletal
Historical Biology
evidence (Parish 2012a, 2012b, 2013; Rothschild 1907;
Figure 1) were found to be useful in guiding research in
this study. The pictorial shortcomings and descriptions of
the Dodo and the Solitaire noted above may contribute to
inaccuracies in understanding the Columbiformes. One
objective of this study was to verify the accuracy of the
earliest descriptions of the Solitaire and potentially help
clarify morphological trends within the Columbid clade.
A better understanding of physical appearance of this
extinct species may provide new insight into its ecological
and behavioural adaptation on Rodrigues Island. Therefore, the principal aim of this study was to digitally
reconstruct the appearance in life of Pezophaps solitaria as
individuals before human influence and extinction.
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Materials and methods
Digital images of Pezophaps solitaria were obtained by
incorporating information from generally distinct types of
resources. The first type includes scientific and scholarly
literature as well as descriptions by early naturalists, e.g.
translated reports from naturalists of the seventeenth and
eighteenth centuries. Egg size shown was estimated
following mathematical models (Rahn et al. 1975). The
second type of resource includes recreational outlines and
paintings of Solitairies. All images of Solitaire listed in
compilations were from Rothschild (1907) or Parish
(2013). The following were the images analysed in this
study (Figure 1):
. Contemporary drawing of Pezophaps solitaria made
by Leguat (1708 in Leguat 1891; Rothschild 1907)
and reproductions of this image (in Parish 2013,
p. 67).
. Post-contemporary painting by Frederick William
Frohawk, in Rothschild (1907, pl. xxiii in Parish
2013).
. Post-contemporary painting by J. Hume (NMH
Picture Library, w Julian Pender Hume, in Parish
2013).
. Post-contemporary painting by J.C. Parish (w
Jolyon C. Parish, in Parish 2013).
Photographs and illustrations of mounted skeletons
(Figure 2) constitute another resource type. The following
were the images used for analysis and reconstruction:
. Female RCSHM/Aves 707 (Hunterian Museum of
the Royal College of Surgeons, London).
. Male RCSHM/Aves 706 (Hunterian Museum of the
Royal College of Surgeons, London).
. Female NHMUK A3506 (Owen 1879, pl. IV)
(Scientific illustration).
. Male NHMUK A3505 (Owen 1879, pl. IV)
(Scientific illustration).
. Z.DT.648 (National Museums of Scotland).
3
. A skeleton (q 2013 Simon J. Tonge) on public
display on Rodrigues Island.
. Skeleton of Pezophaps solitaria, Museum of
Zoology, Cambridge (Oliver 1891 in Leguat 1891:
frontispiece).
In order to maintain consistency between resulting
images and information, digital drawings as well as
skeletal outline overlays of Solitaires were made directly
from these skeletal images. Additional skeletal imagery
information (Owen 1879; Parish 2013; Hume et al. 2014)
was used and found to be complementary. As part of
reconstruction of pre-human influence Solitairies, prehuman influence landscapes of Rodrigues Island were
also constructed. Landscapes constructed, however,
provide inferred visual appearances of an ancestral
stage of Rodrigues Island but may lack accurate floristic
detail. Although the general appearance of the island is
likely to be correct, the reconstructions do not necessarily
reflect specific plant varieties present on Rodrigues Island
before human influence. A considerable number of
photographs of landscapes, vegetation formations as well
as floral and faunal elements were digitally exported and
edited for landscape design. Generation of reconstructions involved image processing and final design. All
compiled data were edited by image simulation, and
artwork was done using software including Corel Draw
w, Adobe Photoshop w, Adobe Illustrator w and Gimp
w. Solitaire plumage was reconstructed by export and
editing of many photographs of various presumed
similarly coloured Columbidae species. A preliminary
cephalic comparison was made using data from
photographs of cladistically related genera (Pezophaps,
Raphus, Caloenas, Natunaornis, Goura and Didunculus)
(Worthy 2001; Shapiro et al. 2002). Natunaornis was
partially recreated by guesswork using the only known
premaxillar bone available (Worthy 2001). Raphus was
digitally recreated from the analysis of numerous
reconstructions (Parish 2013) as was Didunculus from
diverse photographs. Quotes included in figures throughout the text (including citations from early descriptions)
were added to indicate assumptions and evidence
supporting the images shown (Ottino 2003).
Results and discussion
The ‘Contemporary descriptions of Rodrigues Solitaire
(seventeenth to eighteenth centuries)’ section provides an
overview of contemporary descriptions of the Solitaire
used in this study. This is followed by a detailed discussion
of observed or reported morphological and behavioural
features. Finally, a general description of Rodrigues Island
before human influence is outlined. A summary of
reconstructed image production is provided followed by
final comments.
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4
M.A. Rodrı́guez-Pontes
Figure 2. (Colour online) Mounted skeletons of Pezophaps solitaria. From left to right and from top to bottom: male RCSHM/Aves 706
and female RCSHM/Aves 707 (q Courtesy of the Hunterian Museum of the Royal College of Surgeons, London), Z.DT.648 (q National
Museums of Scotland), Museum of Zoology of Cambridge (Oliver 1891 in Leguat 1891, frontispiece), female NHMUK A3506 and male
NHMUK A3505.
Contemporary descriptions of Rodrigues Solitaire
(seventeenth to eighteenth centuries)
This insular bird was described by Leguat (1708 in Leguat
1891, Rothschild 1907) as follows:
Of all the birds on the island the most remarkable is that
which goes by the name of the solitary, because it is very
seldom seen in company, though’ there are abundance of
them. The feathers of males are of a brown-gray color, and
the feet and beak are like a turkey’s, but a little more
crooked. They have scarcely any tail, but their hind-part
covered with feathers is roundish, like the crupper [rump]
of a horse; they are taller than turkeys. Their neck is
straight and a little longer in proportion to that of a
turkey’s when it lifts up its head. Its eyes are black and
lively, and its head without comb or cop. They never fly,
their wings are too little to support the weight of their
bodies; they serve only to beat themselves, and flutter
when they call one another. They will whirl about twenty
or thirty times together on the same side, over a period of
four or five minutes. The motion of their wings doing this
makes a noise very like that of a rattle; and one may hear it
two hundred paces off. The bone of their wing grows
greater towards the extremity, and forms a little round
mass under the feathers, as big as a musket ball. This and
its beak are the chief defenses of this bird. It is very hard to
catch it in the woods but easy in open places. Because we
can run faster than they do, we can sometimes approach
them without much trouble. They are extremely fat from
March to September, and taste admirably well, especially
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Historical Biology
5
while they are young. Some of the males weigh forty-five
pounds.
the tortoise, the making a pie out of of this bird fat was
found so tough that one could not enjoy it.
The females are wonderfully beautiful, some fair, some
brown; I call them fair, because they are the color of fair
hair. They have a sort of peak, like a widow’s upon their
breasts [beaks], which is of a dun color. No one feather is
straggling from the other all over their bodies, they being
very careful to adjust themselves, and make them all even
with their beaks. The feathers on their thighs are round like
shells at the end, and have an agreeable effect being very
thick there. They have two risings on their craws [crop]
and the feathers are whiter than the rest, which livelily
represents the fine neck of a beautiful woman [‘un beau
ƒein de femme’ in the original French version; Parish
2012d]. They walk with so much stateliness and good
grace that one cannot help admiring them and loving them;
by which means their fine mein often saves their lives.
Pierre-André D’Heguerty described the Solitaire, but
probably describes individuals that kept in captivity on
another of the Mascarenes Islands (Cheke and Hume
2008):
Tafforet (1726 in Cheke and Hume 2008, Parish 2013)
gave the following descriptive data:
Together, these various descriptions indicate that the
Solitaire was a stocky, flightless bird larger than turkey or
swan. Although the Solitaire’s colouration is treated in
more detail in the next sections, its plumage seems to have
been predominantly light grey, with a darker brownish
colouration on the back. The female can be inferred to be
white on the chest. Presumably, these birds also had a few
bold tones present on the dorsal surface of the neck region
(Leguat: ‘fair hair’). The beak was incurved, short, sturdy
and hooked at the tip similar to the beak of a turkey. Its
irises were black and also had a black ‘velvet’ caruncular
ridge just above the beak. Its size was similar to that of a
swan or a turkey, and its tail was atrophied. Their wings
were stunted with feathers (e.g. rectrices and tectrices)
apparently somewhat reduced. Although their wings were
not airworthy, they served in resolving territorial conflicts
and fighting in that the frontal portion of wing bone was
like a ‘musket ball’ for beating loudly or for defence.
These descriptive data are taken into account in
subsequent sections for detailed comparative analyses
with those obtained from other categories of resource
types.
The solitaire is a large bird, which weighs about forty or
fifty pounds. They have an extremely large head with a
manner of headband/frontlet to the face that one would say
is black velvet. Their feathers are neither feathers nor hair;
they are of light gray color, with a little black on their
backs. Strutting proudly about either alone or in pairs, they
preen their plumage or fur with their beak and keep
themselves very clean. Their toes are furnished with hard
scales and can run quickly among rocks. They are well
adapted among the rocks where a man, however agile, can
hardly catch them. They have a very short beak of about an
inch in length, and which is sharp. They, nevertheless, do
not attempt to hurt anyone. An exception is when they find
someone before them, and then when hard pressed will try
to bite him. They have a small stump of a wing, which has
a sort of bullet at its extremity to serve for defense.
Jacques-Thomas de Jonchée (1729 in Parish 2013)
referred to the Rodrigues Solitaire as: ‘There are birds
which one names solitaires, flamingos, parrots, turtledoves, wood pigeons, blackbirds, and bats, from which an
excellent fat is drawn.’ Cheke and Hume (2008) and Parish
(2013) have considered the possibility that Solitaires
described here were captive specimens and were likely
exported along with tortoises from Rodrigues Island.
Significantly, Gennes de la Chanceliére (1733 in Parish
2013) reported:
Our people are said to have seen kids and a great number
of birds of various species together; two bird species,
among the others, were larger by a third than the stoutest
turkey. These large birds appeared, nevertheless, quite
young still with down on the neck and the head. They had
wings with only little covering, and without having the tail
formed. Three sailors also said that they had seen two
others of the same species, as stout as the largest ostrich.
The smaller birds had heads nearly like that for an ostrich,
but with feet similar to those of turkeys. Their feet were
unlike those of the ostrich, which are forked and split in
the shape of foot of a hind. These two birds, when skinned,
had an inch of fat on the body. Unlike the delicate flesh of
One finds there also birds of various types which one often
takes after chase, & among others the Solitaires which
almost do not have plumes on the wings; this bird [is]
larger than a swan, with a sad countenance; tamed
[probably meaning ‘imprisoned’], one always sees it
walking in the same line as long as it has space, and
retrogressing in the same way without deviation. When
one makes the opening of it, one usually finds there the
Bézoards which one does value, & which are useful in
medicine.
Rodrigues Solitaire: general morphology
Available literature indicates that the Solitaire had a large
body size but with a considerable reduction in the pectoral
region and wings, as well as short tarsometatarsi and
digits. These body-size reductions were in contrast with its
disproportionately long tibiotarsi (Owen 1879; Rothschild
1907; Livezey 1993). The latter would be an apomorphic
character among Columbiformes because they were
generally of compact morphology with short legs, a
small beak and small head (Baptista et al. 2009). Single
paedomorphic characters (which were prominent in
Raphus cucullatus, e.g. pectoral underdevelopment) and
peramorphic structure of trunks, skulls and pelvic
appendages were also reported for Pezophaps solitaria
6
M.A. Rodrı́guez-Pontes
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(Strickland and Melvilla 1848 in Livezey 1993). The
unusual sexual size dimorphism in Pezophaps solitaria
(Figures 2, 6, 7 and 9) was considered one of the greatest
among carinate birds (Rothschild 1907; Livezey 1993;
Dickinson 2003). Body mass and size measurements were
estimated to be 28 kg (90 cm) and 17 kg (70 cm) for male
and female, respectively (Livezey 1993). This agrees with
early descriptions noted previously in which the Solitaire
size was compared with that of turkeys and swans. Extant
Columbiformes, however, had enormous size and weight
variation ranging from 31 g in Columbina passerina to
2000 g in Goura (Dunning 1992 in Baptista et al. 2009).
The insular genera Raphus, Pezophaps and Natunaornis
were thus exceptional in size for this family.
Plumage and skin
Some discordance in plumage colouration is evident in the
literature. Grey and brown (Leguat 1708 in Leguat 1891;
Rothschild 1907) and also predominantly light grey
(Tafforet 1726 in Cheke and Hume 2008; Parish 2013)
have been reported for the plumage of the Solitaire.
Intraspecific variation in plumage colour (from albino to
dark) observable comparing paintings of Raphus cucullatus was not reported for the Solitaire. Tafforet (1726 in
Cheke and Hume 2008) observed that Pezophaps solitaria
fed on seeds and leaves of trees. Accordingly, this
flightless bird only could have been occasionally
frugivorous taking fallen fruits (e.g. pandans and palms;
Figure 8). The seed-eating Columbidae were often seen
having grey and brownish colours but with occasional
iridescent tones around the neck or breast region. The
predominantly fruit-eating members of this family tend to
be more colourful with greens, purples, oranges and reds
(Baptista et al. 1992, 2009; Gibbs et al. 2010; Wells J and
Wells A 2001; Lack 2003). The exceptionally colourful
character of the seed-eaters Goura and Caloenas suggests
that these genera represent an apomorphy compared with
other members of the clade (e.g. Raphus, Pezophaps and
Didunculus). These later genera all show plesiomorphic
grey-brownish plumage tones.
As for the Dodo, there is a considerable variation in the
appearance of the Solitaire comparing various paintings,
drawings and outlines. Frohawk’s painting shows an
exaggerated caruncular ridge, as noted by Parish (2013),
e.g. whereas other representations do not show such an
exaggerated structure (Figure 1). Such discrepancy is also
evident when describing the bird’s plumage, as in the case
of older post-contemporary pictorial recreations. Some
paintings show the bird as having a brownish plumage,
whereas in others only grey predominates (Figure 1). The
typical combination of shades of grey and brown in forest
seed-eating pigeons (e.g. Patagioenas and Zenaida) has
not been discussed previously for Pezophaps. Recent
scientifically based analyses of the Solitaire, however,
provided a new insight in determining its likely plumage
colour (Hume 2013; Parish 2013).
A presumed adult plumage with characteristics of
juvenility (paedomorfism) was observed in the Solitaire,
although not as prominently as in the Dodo (Strickland and
Melvilla 1848 in Livezey 1993). This characteristic agrees
with Tafforet (1726 in Cheke and Hume 2008): ‘neither
feathers nor hair’. This hair-like plumage might have had
characteristics more like the plush feathery texture covering
many Columbiformes (e.g. Streptopelia) rather than the
horsehair-like plumage appearance of Casuarius (Struthioniformes) or Apteryx (Apterygiformes). Moreover, this
texture must have been present in the cephalic, neck and in
parts of ventral surfaces of the bird (Figures 3, 4 and 7– 9).
Columbinae may be sexually monomorphic or dimorphic in
which the male is frequently larger and more colourful
(Baptista et al. 1992, 2009; Wells J and Wells A 2001; Lack
2003; Gibbs et al. 2010) (Figures 5 and 6). It must be
acknowledged that sexual dichromatism in pigeons can
vary from a slight to markedly distinct dimorphic tones
between the sexes. Differences in colouration are usually
confined to breast, head or neck regions (Goodwin 1960).
This variation is consistent with early descriptions of the
living Solitaire discussed previously. All columbiform
species have a ring of bare skin around their eyes (‘orbital
ring’) (Baptista et al. 2009). Orbital rings and hindlimbs can
be blue, red, white or yellow (Baptista et al. 1992, 2009;
Wells J and Wells A 2001; Lack 2003; Gibbs et al. 2010).
In addition, feathered tarsi are also found as a general
feature among Columbiformes (Baptista et al. 2009), and so
would be expected to have been present in the Solitaire also
(Figures 7 –9).
In summary, it can be inferred that the plumage of
Pezophaps solitaria was mostly grey, dorsally brownish
with darker tones on the back, and with males being more
colourful than paler females (Figures 7 – 9). It can be
hypothesised from Leguat (1708 in Leguat 1891;
Rothschild 1907): ‘ . . . they are the color of fair hair’.
There is a possible comparison that can be made between
the silkiness of a women’s hair and aspects of the sparse
iridescent plumage on the Solitaire’s neck (Figure 4).
Both black-eyed sexes had a conspicuous black
caruncular ridge at the base of their beak (Figures 3
and 4) and were more prominent in males as is usually the
case in pigeons. It should be considered that this structure
is very likely overly represented in several paintings of
this bird (Parish 2013; Figure 1). The digital recreation of
Pezophaps solitaria plumage shown (Figures 7 – 9) is
based only on typical tones and textures found in
Columbiformes order. Solitaire is most generally
considered seed-eating in its forest habitat and is most
usually described as having grey and brown plumage
tones. Neotropical seed-eating Picazuro Pigeon Patagioenas picazuro, the Eared Pigeon Zenaida auriculata
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Historical Biology
7
Figure 3. (Colour online) Cephalic reconstructions (q 2014 M.A. Rodrı́guez-Pontes) from different specimens of Solitaire. From left to
right and from top to bottom: derived artwork from a skeleton (q 2013 Simon J. Tonge) in a public exhibit on Rodrigues Island, from an
individual of the Museum of Zoology of Cambridge (Oliver 1891 in Leguat 1891, frontispiece), male NHMUK A3505 and female
NHMUK A3506 (Owen 1879, pl. IV), male RCSHM/Aves 706 and female RCSHM/Aves 707 (original q Courtesy of the Hunterian
Museum of the Royal College of Surgeons, London), and Z.DT.648 (original q National Museums of Scotland).
and the Collared Dove Streptopelia decaocto were
considered to have suitable sources of plumage colour
and texture variation for the reconstruction of Solitaire’s
plumage. Further discussion involving plumage and
behaviour is given in the ‘Behavioural aspects’ section.
Behavioural aspects
The Solitaire had a strongly territorial (Figures 9 and 10)
and aggressive behaviour (Hume and Steel 2013). The
prominent wing carpal knob (Figures 6 – 9) was greater in
males and was used as a weapon by either sex in very
audible territorial combats (Leguat 1708 in Leguat 1891;
Rothschild 1907; Tafforet 1726 in Hume and Steel 2013).
Hume and Steel (2013) proposed that limited resource
availability on the small Rodrigues Island generated
evolutionary pressure for this strong territorial behaviour.
Accordingly, the plumage of both male and female
Solitaires would have been unnecessarily cryptic in the
pre-human influence forest habitat and with no known
predators (Figures 8 – 11). As noted previously, many
forest seed-eating pigeons have similar crypticism.
An interesting evolutionary hypothesis posing a link
between plumage and behaviour can be envisaged.
Plumage crypticism in Solitaire could still be considered
as a remaining plesiomorphy to avoid predation.
However, this crypticism could have resulted from or
have been retained in response to adaptive pressure to
secure limited resources also reflected by the strong
territorial behaviour of this species. By hiding their
presence from other individuals, not to mention males
hiding females from other males, the adaptation might
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M.A. Rodrı́guez-Pontes
Figure 4. (Colour online) Rodrigues Solitaire: a detail of the skull of a skeleton (q 2013 Simon J. Tonge) on public exhibit on Rodrigues
Island, and its reconstruction (q 2014 M.A. Rodrı́guez-Pontes). Ramosmania rodriguessi (q 2011 C.T. Johansson, Wikipedia) appears in
the background. Centre right: a reconstructed leg; bottom: detail of a reconstructed adult male (q 2014 M.A. Rodrı́guez-Pontes) showing
different plumage tones and textures, sparse iridescence on the dorsal neck, and the carpal knob (derived artwork from original skeletal
image RCSHM/Aves 706 q Courtesy of the Hunterian Museum of the Royal College of Surgeons, London).
have enabled more effective intraspecific competition for
limited environmental resources.
Nesting and egg
When these birds build their nests, they choose a clean
place, gather together some palm-leaves for that purpose,
and heap them up a foot and a half high from the ground,
on which they sit. They never lay but one egg, which is
much bigger than that of a goose. (Leguat 1708 in Leguat
1891; Rothschild 1907) (Figure 6)
The eggs in Columbidae are usually white or lightly
coloured. Rahn et al. (1975) found a strong correlation
between female body size and egg mass. They analysed
data from 45 species of Columbiformes (8 Pteroclidae
and 37 Columbidae), the following regression equation
developed in that study was used to generate a realistic
digital recreation (shape, size and colour) of the
Solitaire’s egg.
W ¼ a £ B b:
where W is the egg weight in grams, B is the female body
weight in grams (estimated to be 17000 for Pezophaps
solitaria), a is the proportionally constant (0.206 in
Columbiformes) and b is the regression line slope
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9
Figure 5. (Colour online) Skeletons of the specimens analysed in this study, and their respective overlays and reconstructions (q 2014
M.A. Rodrı́guez-Pontes). From left to right: derived artwork from original skeletal images of a specimen maintained in the Museum of
Zoology of Cambridge (Oliver 1891, in Leguat 1891: frontispiece), male NHMUK A3505 and female NHMUK A3506 (Owen 1879, pl.
IV), male RCSHM/Aves 706 and female RCSHM/Aves 707 (original q Courtesy of the Hunterian Museum of the Royal College of
Surgeons, London), and Z.DT.648 (original q National Museums of Scotland).
(logarithmic) for Columbiformes, 0.759.
W ¼ 0:206 £ 17; 0000:759
¼ 334:8 g ðPezophaps solitariaÞ:
Log W ¼ log a þ B log b;
Log 334:8 ¼ log 0:206 þ 0:759;
Log 17; 000 ¼ 2:52 ðPezophaps solitariaÞ:
Standard error of estimate calculated for log W ¼ 0.101;
confidence: 68%; limits of the value of log W (CL) ¼ 1.26;
correlation coefficient (r) ¼ 0.94 (Rahn et al. 1975).
Rahn et al. (1975) determined the range and mean
values of egg weight for Columbiformes at 100 g body
weight to be 35 – 2000 and 313 g, respectively.
Although body weights of the Mauritian Dodo, the
Rodrigues Solitaire and of the Viti Levu Giant Pigeon
(Natunaornis gigoura) (Worthy 2001) could have
exceeded the range of applicability of the equation’s
components a and b, the mathematic results obtained
here for Pezophaps solitaria suggest that the egg could
have had at least three times the mass (ca. 150 – 334.8 g)
of that of Goura cristata (ca. 50 g), the largest living
Columbidae (Rahn et al. 1975; Frith 1982; Saunders
et al. 1984).
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M.A. Rodrı́guez-Pontes
Figure 6. (Colour online) A detailed view of mounted skeletons of Solitaires and reconstructions. Reconstructions in the centre and on
the right are mounted in what appear to be an unrealistic stance. From left to right: derived artwork from originals images of skeletons
maintained in the Museum of Zoology of Cambridge (Oliver 1891 in Leguat 1891, frontispiece), male NHMUK A3505 and female
NHMUK A3506 (Owen 1879, pl. IV).
According to Leguat (1708 in Leguat 1891; Rothschild 1907), the Solitaire’s egg was much larger than that
of the Greylag Goose Anser anser (5 – 7 cm £ 8 – 10 cm,
150 – 220 g; Soames 1986). However, the assumption of
similar egg densities between these species results in an
overestimated size for the Solitaire’s egg. Its egg would
be predicted to be as big as that of, e.g. the Greater Rhea
Rhea americana (ca. a third larger and heavier bird than
Pezophaps solitaria; egg: 9 £ 13.2 cm, 600 g; Rodrı́guezPontes, unpublished results). Thus, provisional estimation of the Pezophaps solitaria’s egg size (ca. 8 cm
£ 12 cm; Figures 7 and 9) was based on a presumed
higher density in relation to the egg of Anser anser, and
on maximum egg weights found for Solitaire (334.8 g)
and Goose (220 g). Although great variation (at least
50% larger) in both egg size and mass between avian
populations of a given species may occur (Christians
2002), our estimated egg size for Pezophaps solitaria is
reasonably larger than that of Anser anser in agreement
with Leguat’s accounts.
Rodrigues Island: pre-human environment
The generation of accurate detailed images of the Solitaire
in its natural pre-human environment is a primary
objective in this work. Pictorial representation of
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Figure 7. (Colour online) Skeletons of Solitaires in presumed realistic stances and their reconstructions. From left to right: derived
artwork from originals male RCSHM/Aves 706 and female RCSHM/Aves 707 (q Courtesy of the Hunterian Museum of the Royal
College of Surgeons, London), and Z.DT.648 (q National Museums of Scotland).
biological systems such as the Solitaire in the habitat to
which it was highly adapted can be more informative than
simply listing relevant data. The observer generally
assumes a uniform level of information in a given figure.
If reconstructed images of Rodrigues Solitaire are
intended to be realistic, then background landscapes in a
given figure should be as well (Ottino 2003). Therefore,
positioning of digital reconstructions of the Solitaire
within what can be considered its likely former natural
scenery was carefully developed as part of this study
(Figures 4 and 8– 11).
Rodrigues Island (17.7 km long, 8.45 km wide,
104 km2 surface area) is tropical and well known for its
unique native fauna and flora. Antoine Valleau (1692 in
Parish 2013) reported:
. . . that there are plenty of tortoises and birds larger than
the turkey [cocq’s d’Inde] called solitaires, which one
takes by hand, and many fish, that he left there eight
M.A. Rodrı́guez-Pontes
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Figure 8. (Colour online) Above (from left to right and from top to bottom; q 2014 M.A. Rodrı́guez-Pontes): a cephalic comparison
between Didunculus (inspired artwork from an original image by U. Beichle), Goura, Caloenas, Raphus, Pezophaps and a presumed
overlay of Natunaornis (inspired artwork from Worthy 2001, p. 781). Below (q 2014 M.A. Rodrı́guez-Pontes): a juvenile Solitaire
feeding on Pandanus fallen fruit. Plants of Dombeya and Gouania, and extinct giant tortoises Cylindraspis are also included.
passengers with grain and all kinds of seeds to see what the
ground could produce.
The pristine landscape of the island was described by
Leguat (1708 in Leguat 1891, Rothschild 1907):
we could hardly take our eyes off the mountains of which
the island almost entirely consists. They are so richly
spread with great and tall trees: the valleys are covered
with Palm trees, Plantains, Ebonies and several other sort
of trees.
This ancient natural environment and its biodiversity
have suffered from four centuries of exploitation,
unsustainable agriculture, deforestation and introduction
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Figure 9. (Colour online) A male (top) and a nesting female (bottom) with an egg. Plants of Pandanus, Latania, Ramosmania and
Gouania, and two giant tortoises Cylindraspis are also represented (q 2014 M.A. Rodrı́guez-Pontes; derived artwork from originals Male
RCSHM/Aves 706 and Female RCSHM/Aves 707 q Courtesy of the Hunterian Museum of the Royal College of Surgeons, London, Z.
DT.648 q National Museums of Scotland and q 2011 C.T. Johansson, Wikipedia).
of invasive biota. None of the native primary forests
remain on the island today. The pre-human Rodrigues
Island landscape has been characterised with having
various types of tree forests, including those of other
tropical to semi-dry tree species (Leguat 1891; Gade 1985;
Cheke and Hume 2008; Hume 2013). Much of the island’s
rich biodiversity has disappeared, including the loss of at
least 20 bird species that are now presumed to be extinct.
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M.A. Rodrı́guez-Pontes
The extinction of endemic terrestrial vertebrates includes
two giant tortoise species (Cylindraspis vosmaeri and C.
peltastes; Griffiths et al. 2013; Figures 8 –11). Today, there
remain only three endemic representatives of pre-human
influence terrestrial vertebrates: two passerines (Foudia
flavicans and Acrocephalus rodericana) and the fruit bat
Pteropus rodricensis (Hume 2013, Figures 10 and 11).
Although much less is known about terrestrial invertebrate
fauna, compared with vertebrates, significant endemisms
have been reported (Griffiths et al. 2013).
The native flora of Rodrigues comprises 133
indigenous plant species including five endemic genera.
Those remaining at the present time includes 123 species,
37 of which are critically endangered of becoming extinct,
e.g. Ramosmania rodriguesii (Figures 4 and 9), Dombeya
rodriguesiana, Myoporum mauritianum and Gouania
leguatii (Strahm 1989). Of the 25 species of Pteridophytes
originally present on the island, including two endemic
Selaginella sp., four are thought to have become extinct
(Lorence 1976). The pandans, Pandanus heterocarpus and
Pandanus verschaffeltii, as well as the now threatened
palms, Latania verschaffeltii, Dictyosperma album and
Hyophorbe verschaffeltii, may have been significant in the
diet of Pezophaps solitaria (Strahm 1989; Figure 8).
Semi-dry tropical forest vegetation matrices were
constructed in our study to serve as a suitable background
for the digital reconstruction of Pezophaps solitaria.
Dictyosperma, Gouania, Pandanus, Ramosmania, and
other flora and fauna of Rodrigues Island were included to
improve landscape background. Ecological restoration of
indigenous forest on this island was improved using image
resources from the Nature Reserve of Grande Montagne
(Figure 11). The landscapes developed do not reflect an
exhaustive archaeological recreation of the former
Rodrigues Island environment (Figures 8– 11).
Digital synthesis of the Solitaire in its native landscape
Although images resulting from digital recreations are
dependent on technology and data sources used and
subjectivity of the author (Ottino 2003; Bawaya 2010), the
approach used to generate the living appearance of
Pezophaps solitaria, as an individual in its natural
environment before human influence is internally consistent with descriptive and anatomical data used.
To minimise inaccuracies, plesiomorphic characters
(or probable characteristics) were used that were widely
distributed among Columbiformes (e.g. greyish skin and
Figure 10. (Colour online) An adult and a young male Solitaire are preparing to fight, and a female stands nearby, in a reconstructed
pre-human forest landscape on Rodrigues Island. Tall palms are included in which Dictyosperma flourish in the background. Among the
Diospyros and Pandanus trees, many giant tortoises Cylindraspis are present and are in search of food. Plants of Gouania and Ramosmania
are also present (q 2014 M.A. Rodrı́guez-Pontes derived artwork from the original landscape image of Rodrigues Island 2010, q Jean Mark
Lim, Flickr). Technical detail in J.P. Hume artwork (Parish 2012b; Hume and Steel 2013) was useful for these reconstructions.
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Figure 11. (Colour online) A digital simulation of a male Solitaire courting a female individual in a realistic picture of an ecological
restoration of an indigenous forest on Rodrigues Island (Nature Reserve of Grande Montagne). Simulated giant tortoises Cylindraspis and
flying foxes Pteropus are included in the background. q 2014 M.A. Rodrı́guez-Pontes derived artwork from original landscape image q
2006 B. Navez, Wikipedia, and from Male RCSHM/Aves 706 q Courtesy of the Hunterian Museum of the Royal College of Surgeons,
London.
beak tones, and white egg shell) (Baptista et al. 2009) in
Solitaire reconstructions.
It is acknowledged that although greater probability of
accuracy was sought, the occurrence of still unknown
apomorphies is possible. As in the case of the Solitaire’s
reconstruction made by Parish (2013), tarsal scutellation
and leg colour are guesswork inspired by those characters
of the Dodo consistent with those reported in Columbiformes (Baptista et al. 2009; Figures 4 –7).
All skeletal overlays and body reconstructions shown
in Figures 3 –7 reveal some stance variation dependent on
how realistically these skeletons were mounted. Recent
evidence for a head-forward stance in moas (Dinornithiformes) (Worthy and Holdaway 2002) rather than that for
an upright position as in older skeletal mountings was
taken into consideration. Although a biomechanical
analysis would be necessary to solve this issue, the
possibility of an ‘alertness stance’ for many uprightly
mounted skeletons of Solitaires was taken into account.
Leguat (1708 in Leguat 1891; Rothschild 1907) referred
the Solitaire as lifting its straight neck up. Subsequently,
we considered that our most accurate reconstructions of
Pezophaps solitaria were obtained from the RCSHM/Aves
707 (female) and RCSHM/Aves 706 (male) specimens’
images (Figure 7). Restoration of life-like appearance of
specimen Z.DT.648 provided evidence for the possibility
of its being a juvenile individual (presumed male) based
relative body proportions, i.e. shorter neck, longer legs and
a more stylised adult male trunk. Also, body size was more
like that of a male than a female. A possible allometry
involving – among others – these body parts between
these three reconstructed specimens (male and female vs.
juvenile) is shown in Figure 7.
The striking ‘deformed pigeon’ appearance of the
Solitaire is particularly evident considering the consistently ‘pigeon-like’ head generated during reconstructions
done as part of this study. A considerable variation in
cephalic morphology is seen comparing species of AfroEurasian and Australasian pigeons (Pereira et al. 2007 in
Baptista et al. 2009). This is most evident comparing
related members of the clade Columbiformes (Caloenas,
Didunculus, Goura, Natunaornis, Pezophaps and Raphus),
as shown in Figure 8. The Manumea Pigeon, Didunculus
strigirostris, had traditionally been considered most
16
M.A. Rodrı́guez-Pontes
closely related to Raphus and Pezophaps due to its hooked
beak (Wendt 1982). Actually, results presented here
further illustrate that reconstructions of Pezophaps have a
morphology that can be considered as transitional between
that of the Mauritian Dodo and that of many extant pigeons
and doves. Recent molecular studies showed that the
brilliant and colourful Nikobar Pigeon Caloenas nicobarica – despite its very different appearance – is the closest
living relative of Raphus cucullatus and Pezophaps
solitaria (Shapiro et al. 2002).
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Final remarks and conclusion
This study provides a basis for further research for
understanding the natural history and evolutionary
adaptation of the Solitaire. Digital reconstructions of
photographic image quality of males, females, juveniles
and eggs of Pezophaps solitaria were produced based on
observations made by early naturalist as well as essentially
all scientific and scholarly literature and anatomical data
available. In the absence of known natural predators for the
Solitaire, it is suggested that plumage crypsis in this
species may be part of an adaptive strategy for intraspecific
competition.
Acknowledgements
Academic support from Prof. Fernando Costa-Carbonell (IIBCE,
Laboratorio de Ecologı́a, Etologı́a y Evolución), many valuable
suggestions made by two reviewers, useful comments and
essential bibliography provided by Jolyon C. Parish and by Julian
P. Hume as well as additional comments and help with the
manuscript by Paul R. Gill are fully acknowledged. Indispensable
osteological images for our research were provided by Sarah
Pearson (Curator of the Hunterian Museum of the Royal College
of Surgeons, London) or authorising their use in this article was
done by Margaret Wilson (National Museums Scotland,
Administrator).
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