“There are always new places to go fishing. For any fisherman, there’s always a new place, always a new horizon.” –Jack Nicklaus
After final exams, summer vacation arrives for Hina, Natsumi, Yūki and Makoto. Yūki reveals there’s a special outing planned out as a part of the Breakwater Club’s custom, and because they’re going to head towards an uninhabited island, Sayaka will be accompanying everyone. However, ahead of the trip, there’s the matter of money: to help secure some funds ahead of the trip, Yūki has arranged for the club to partake in community service and help clean up the local beaches at Perigean spring tide. At the same time, Yūki plans to re-sell any lures they find. As Hina helps the others out, she’s surprised to find so much trash, and that so many lures, some of which are in excellent shape, are left behind. Natsumi explains that even at the local flea market, a lure in decent condition can go for up to five hundred yen. However, in her excitement, Hina neglects to keep an eye on her surroundings and becomes stranded, requiring the others come grab her in a boat. Later, the Breakwater Club create handicrafts together and restore most of the lures for sale at a flea market. On the day of the fishing expedition, Hina wakes up early to join Natsumi and the others. When they reach the pier, they’re surprised to see Tako-ya’s manager, Akai, present; it turns out he’s also a ferryman, and they head off to the island. After arrival, the girls set up their tents, and Sayaka gives the girls a quick overview on safety. Hina and Yūki begin fishing; after getting set up, Yūki notes that Hina’s improving and is able to do more on her own, and Hina manages to catch fish on her own with only a handful of pointers from Yūki. Later, Hina watches Makoto fish, admiring how expertly she handles the fishing rod. Makoto ends up catching a red-spotted grouper, and on the way back, Natsumi finds an octopus. Back at camp, Yūki successfully catches an impressive two-foot-long flounder, beating her personal best. The Breakwater Club spend the remainder of the evening preparing and enjoying the day’s catch, with Hina being surprised with how bountiful the coasts are even though they’re technically on a deserted island. This is where Houkago Teibou Nisshi‘s live-action drama wraps up; the desert island trip takes place in the manga’s fifth volume, immediately after Hina shows Natsumi and the others how to do handicrafts, and by the sixth volume, the Breakwater Club hits the breakwaters to help clean up. Unlike the manga, which has the club take on part time work to save up for the next trip, the live-action drama ends up altering the order of events and a few minor details: Hina and the others help to clear the beaches first, sell their handicrafts and refurbished lures at the local flea market and use the proceeds to fund their desert island outing, during which Yūki ends up catching a stingray instead.
By the end of Houkago Teibou Nisshi‘s live-action drama, Hina’s progress becomes apparent. From requiring instruction to operate a fishing rig and learning how to cast properly, to gaining the right mindset for fishing when one is skunked, the live action drama goes one step further in showing how Hina’s come to not just appreciate fishing, but also become proficient enough for a veteran like Yūki to comment on things. The idea of incremental growth in slice-of-life works is a recurring theme, one that continuously reminds viewers that in any activity, there is going to be a learning curve, and that in order for one to reach a point where they can enjoy the truly memorable moments, they must also be prepared to invest time in learning how to improve their craft. In a world where instant gratification seems to be the norm, messages from such works become all the more important: stories like Houkago Teibou Nisshi show the learning process, how failure and disappointment are handled, and how partaking in activities with others acts as a wonderful motivation for picking onself back up in the face of failure. In Houkago Teibou Nisshi, while Hina does have a string of beginner’s luck, she also has moments where she ends up short, whether it be trying to fish for Horse Mackerel Fry on her own with the wrong setup, struggling to catch freshwater shrimp or discovering that she needed to prepare artificial bait correctly for Whiting. Showing Hina’s failures is important because it demonstrates that coming up short is an inevitable part of the journey; it’s not just normal, but a critical part of the process. Learning how to address failure, rectify one’s mistakes and have the spirit to make another attempt is how one improves over time. However, changing trends in society give the impression that failure is something to shy away from: for instance, influencers often paint the (untrue) image that their lives are perfect, and that they can get perfect moments just by being lucky all of the time. For those who follow influencers, this can lead to the impression that anyone can take that one-in-a-million shot of a sunrise in the mountains and expect the likes to roll in. When the reality doesn’t line up with expectations, disappointment results. This is why, at least for me, I prefer reading about legitimate photographers, who often share stories of how it took them a week of waiting through inclement weather and taking hundreds of photographs in sub-optimal to find one they were proud of, or how seemingly poor weather and lighting led them to take a picture that came out much better than they’d anticipated: there’s a more sincerity to hearing stories of how failure, and persistence, allows professionals to tell genuinely impactful stories. Houkago Teibou Nisshi and other anime dealing with such activities are able to be sincere for the same reason; the characters do succeed, but along the way, they fail, learn that failure is normal, and most importantly, learn to pick themselves up. By doing exactly thus, Hina is able to learn that there’s more enjoyment to fishing than she’d initially thought, and by the end of the live-action drama, Hina is pleasantly surprised to see just how deep fishing is, becoming a full-fledged member of the Breakwater Club in the process.
Screenshots and Commentary
- While going through Houkago Teibou Nisshi‘s web drama, I was initially surprised to see the Breakwater Club participating in activities the anime had never covered. It became clear that the web drama was adapting materials later into the manga, and I decided that the two remaining episodes merited a standalone talk. The final two episodes of the web drama are actually well-chosen, rounding out Houkago Teibou Nisshi in a very concise and definitive manner. However, similarly to the other episodes in the web drama, things are very condensed – the desert island trip is set over the course of three chapters, and preparations leading up to the trip require another chapter.
- Whereas the manga has Hina and the others cleaning up the beaches in swimsuits, the web drama has everyone dressed more normally. Yūki explains that it’s to keep their regular clothing from getting wet, although as the drama correctly depicts, it is possible to dress well and not need to resort to swimsuits. The live action drama’s choice of setting may also account for the difference: the ocean waters in Chiba are about 2ºC cooler than the waters in Sashiki, and this helps the web drama to be a little more modest. For this post, I’ve dispensed with the picture-in-picture comparisons that my live-action discussions usually feature: there are no equivalent moments in the anime to make the comparisons.
- The change in the order of events, while a shade confusing in the beginning, actually does help to make the web drama a little more standalone. The manga had Hina and the others cleaning up the beaches as a part of their work to save for another training camp after the Marine Day trip to the deserted island – whereas the first trip had drained their finances, Yūki indicates that this training camp is a must-do trip, so the Breakwater Club uses the part time work to refill their club budget. On the other hand, the web drama has the Breakwater Club save up the funds so they can do the deserted island trip, creating build up to the final episode.
- Differences in the order of events notwithstanding, the web drama remains faithful enough to the manga: after Hina becomes completely immersed in picking up and untangling lures, she fails to notice that high tide’s returned, trapping her on a stack. For comedic effect, the manga puts Hina on a tiny stack that is no more than a square metre in surface area, but in both cases, the others end up calling in a boat to rescue Hina.
- Houkago Teibou Nisshi‘s decision to show failures is by no means unique: many anime that deal with young women picking up activities which demand a modicum of skill and learning invariably show failure as an essential part of the process. This is something that viewers value – making mistakes and being unsuccessful help one to learn, and when starting out, one of the best pieces of advice I have is that every time one sets out, they should expect to fail, but also enter with an open mind and the preparedness to learn from their experiences. Over time, as one picks up more, failures become less frequent, and one can really begin to enjoy their activity.
- When a work shows failure as a part of the process, it reassures viewers that it is okay to fail. However, in today’s society, the always-online nature of things means it can be difficult for people to spot this. On the internet, people tend to show only their successes, and this creates the false impression that an online personality is always having successes in what they do. In this way, it becomes impossible to learn about the process, as all one sees are the results. For instance, a month ago, I went on a hike to go see the larches in Ptarmigan Cirque. To readers (and the people who know me in person), all they see are the photos I took, of a cold and foggy morning giving way to sunshine and vividly golden larch trees.
- The hike was quite beautiful, but what folks don’t see is the climb it took to get up to Ptarmigan Cirque. In the summer, climbing up the trail is relatively easy, but on the day I went, the night temperatures had dipped below freezing following a light snowfall, rendering the trail extremely slippery. Climbing up the trail was therefore moderately challenging, as I had to grab onto tree branches and rocks to maintain my stability. After I finished taking my photos, I knew I was in for a difficult trip back down the trail – as a general rule, going downhill on a climb is always tougher than the climb up, and given how slippery it’d been going up, going down was going to be very demanding.
- At several points on the return trip down the trail, I was actually sliding down on my rear in a way that was reminiscent of how Les Stroud had to get down the fjord in his Survivorman: Ten Days episode for Norway. While there were other hikers that day, slipping down and twisting an ankle was always a real hazard. My photographs don’t show this, and to viewers, I appear to have had a perfectly easy time where I just walked in, pointed my camera at the larches and clicked the shutter.
- It is for this reason I love hearing photographers talk about the stories behind their photos. A large number of professionals, and long-time hobbyists, tell tales of being skunked by bad weather, unforeseen conditions and other challenges. In spite of this, it is a creative eye and a modicum of patience that allows them to still walk away from the day with a photo they might be proud of (or at least, one they feel to be worth sharing). Hearing these stories speaks to the determination and perseverance people have when it comes to their activities, whether it be their hobbies or profession.
- Showing the in-between moments is what makes slice-of-life stories so genuine; in Houkago Teibou Nisshi, for instance, Hina does end up participating in a local event where she has to help sell the refurbished lures, and despite her protests otherwise, she ends up doing an admirable job of encouraging visitors to buy the lures. This is quite unrelated to fishing, but Hina’s being able to step up shows that, as a part of her growth while fishing, she’s able to do other things she hadn’t been previously doing. In this way, the Breakwater Club does earn enough to make their deserted island trip possible.
- The value of hearing stories of failure and difficulty in an activity is why I generally don’t have a favourable view of social media influencers; their feeds are full of seemingly “perfect” moments, and this gives the impression their lives are blessed, with everything going precisely the way they’d wish. For impressionable youth, it can be quite demoralising to learn that the world the influencers present isn’t quite true to reality, and there have been many influencers caught faking their photos using stock images and a bit of trickery to give the impression they’re doing something for real. For instance, an Instagram influencer posted yesterday that they’d captured a picture of Banff’s Peyto Lake after a fresh snowfall. In this image, the sky is perfectly blue.
- However, a quick check of satellite maps and weather records indicate that thick clouds had covered Peyto Lake for the whole of the day. While I could buy that the photograph was uploaded yesterday but taken on a different day, the influencer claims in their image caption that it was taken yesterday. The practise of faking things on social media is, unfortunately, all too common, and it can be easy to become envious of their seemingly endless luck in capturing photos or ability to commit to things that would be outstanding if true. The knowledge that influencers often fake their experiences would provide a logical explanation for why they always seem to be in the right place at the right time for photography: some influencers have use a 4K television and stock images to create the impression they’re watching a sunrise in a remote mountain meadow on a date where the weather was actually poor.
- While faking things is actually not too difficult, doing so does feel hollow and unrewarding – the reason why I travel around for food and photography is because they’re things I enjoy doing, and doing so provides memories that I’m happy to look back on. For an influencer who fakes their experiences, they won’t ever have a memory of the brisk mountain air, or the taste of a well-made dish. While their following may never know this, the influencer will recall that the photo was actually taken in a different context and never afforded them with a real memory of having done something fun. Slice-of-life anime act as the antithesis of this: the characters participate in genuine activities they’re happy to remember.
- This is why there is merit in sharing moments of disappointment and setbacks, as well: although they might not be flattering, they give the impression that one is reading about a real individual, versus a manufactured ideal. Yesterday represents a perfect example of such a teachable moment – I had originally planned to drive out to Peyto Lake with the intention of capturing photos of the still-blue lake surrounded by a fresh snowfall, and after doing extensive reading of weather charts and records of weather patterns from previous years, I had determined the last Friday of October would be ideal for such a photo-op and submitted a vacation request a full month in advance of this.
- However, with about a week left to my vacation day, a request for volunteers from the local photograph association came about: an assisted-living foundation had secured both funding and approval for the construction of their latest building, and yesterday was their sod-turning ceremony. While having photographers on-site was important, I decided to volunteer because having video of the event would have helped the foundation in a major way. I had originally planned to do the drive out to Peyto Lake and come back in time for the filming, but when a major snowfall rendered most of the roads leading in and out of town slippery, I decided to drop the drive: failing to make my commitment because of difficult road conditions would represent poor judgement on my part.
- In the end, I decided to spend my morning downtown: the same weather forecasts suggested I would be treated to a spectacular sunrise. However, when I arrived downtown, there was no sunrise because clouds the forecasts failed to account for completely blocked out the sun. A full half-hour later, the sun had peeked through a very small gap in the clouds, and there had been about two minutes to capture the glow of sunlight reflecting off the buildings downtown. I ended up missing this window and only arrived at the viewpoint after the sun began fading. I was able to take a single photo before the sun disappeared completely, leaving the cityscape grey and miserable. The image hadn’t turned out too well, being underexposed and lacking any colour, and after spending another quarter hour on the hill, hoping the sun would return, the cold air won out and I moved on.
- However, having had the foresight to shoot in ProRAW, I would later edit the lone photo I’d taken to correct the exposure and, in the process, I also increased the saturation of the yellows and golds in the image. The resulting photo isn’t going to win any contests, and it’s not something I’d frame, but it does capture the last glimpse of light glancing off the office buildings of a frigid Calgary morning right as the sunlight began receding. Just from looking at this photo alone, the viewer would never know that there was such a story to it. In this post, I found that the story was worth sharing precisely because it shows that no, I’m not uncommonly lucky in my photography, and that bad luck does affect things quite frequently.
- While the day didn’t yield any photos of the sort I’d been looking for, and the weather had been quite miserable, I did end up scouting out a few spots that I can return to in the future under better conditions. Similarly, Houkago Teibou Nisshi has Hina failing at several points to show viewers of this process: if one only cared about the series’ ending, that Hina’s able to catch fish with consistency and enjoy them with her friends, Houkago Teibou Nisshi would be presenting an idealised, heavily filtered version of the experience Hina went through. From falling in the mud, nearly getting pulled off the pier by a large fish and fainting at the sight of blood, Hina’s journey with the Breakwater Club has not been an easy one.
- However, it is with support from Natsumi, Yūki and Makoto that compels Hina to stick around. Had Hina lacked the perseverance to try again, and the gumption to research means of improving her game, Hina would’ve never reached a point where she could travel to an uninhabited island to fish in a way she’d never previously experienced. Houkago Teibou Nisshi suggests that when picking up something, it is with others that one has the support they need to not get discouraged when the going gets tough. For me, joining the local photography association has given me a similar boost: while I don’t go on the more involved events (most members are retirees, and the events are set on weekdays), during events we do attend as a group, I have a chance to pick up pointers during conversation, and so, when I go out on my own photo shoots, I can draw upon what I gain from these conversations to see if I can turn poor conditions into something I can learn from.
- In Houkago Teibou Nisshi, Hina’s morning had started slowly, but once she takes a few pointers from Yūki, she begins to make more progress. As the day wears on, she walks around the island and watches both Natsumi and Makoto fish. Here, Natsumi manages to pull an octopus from the shores; the manga shows Natsumi using a resourceful means of extricating the octopus, but in the drama, the octopus has washed up on shore, reminiscent of a similar moment in Survivorman: Ten Days‘ Tiburón Island episode, when Stroud found an octopus. Stroud has since posted a director’s commentary on the Tiburón Island episode, saying that he hadn’t been expecting the episode to turn out well, but thanks to Barry Farrel’s editing, things came out better than expected, and on the octopus, Stroud indicated that he’d actually discarded more than necessary because he wasn’t familiar with how to prepare octopus.
- Insight like this, again, shows that creativity and experiences are a process that has both ups and downs. For the same reason that I enjoy reading a photographer’s remarks about a photo and the story it took to capture said photo, Les Stroud’s Director’s Commentary videos are immensely enjoyable because it humanises Stroud’s experiences and makes them very visceral. Seeing the journey it took Stroud to shoot Survivorman increases my respect for his work ten-fold, and as such, when Stroud criticises other survival shows, I hold that Stroud’s earned every right to do so: real survival is slow, methodical and measured, rather than dramatic and exhilarating.
- Throughout Houkago Teibou Nisshi, Yūki is portrayed as being lazy and usually prefers to kip rather than actively participate in the fishing. However, here in the web drama’s finale, Yūki is given a chance to shine when she captures a very large fish that’s nearly sixty centimetres in length. In the manga, Yūki ends up with a stingray instead, but despite being counted as being quite tasty, I imagine that here in the web drama, the choice was chosen to substitute a record-breaking fish over a sting-ray for practical reasons: stingrays are highly poisonous, and as the manga correctly states, their tails are highly venomous.
- On Tiburón Island, while exploring the estuary in search of food, Stroud had fashioned simple shin-guards to protect against the possibility of being hit by a stingray’s tail. In Houkago Teibou Nisshi, on the other hand, Yūki’s extensive knowledge of marine life allows her to make the call to prepare the stingray for consumption. This shocks Hina, but Yūki reveals that once the tail is removed, preparing becomes a little more cut-and-dried. Makoto discards of the tail, and explains that despite their reputation, the flesh from a stingray is quite good; the flesh is most similar to that of a scallop, being flaky and sweet. The manga picked this to show how a little bit of knowledge can go quite far in turning around something that outwardly appears unpalatable.
- The same thing applies to photography; I’d expect that an experienced photographer would be able to make the most of a situation that otherwise isn’t ideal for shooting and still come away with something instructive, whether it be exploring how to best operate in those conditions, experimenting with something new or otherwise using that time to scout out locations to return to. When it comes to surprises, one of the things I still need to master is learning to roll with the moment; I can outwardly handle disappointment stoically enough, but whenever things don’t pan out as I’d hoped, I always begin planning another attempt in my mind right away. This can lead me to miss out in the moment, so to remedy this, even in a suboptimal moment, I try to at least push the negativity from my mind and at least do some exploration.
- In this way, even though the lighting yesterday morning remained quite poor owing to the presence of high-altitude clouds that diffused the lighting and created a very cold tone, I still managed to take a warm-looking photo of Calgary’s Peace Bridge, framed by dying autumn leaves, that came out a little better than I’d thought it would. I subsequently wrapped up my walk in Kensington, was hit with yet another disappointment when I found the poutine place closed without notice, and decided to grab lunch at Kim’s Katsu: I always plan ahead for such eventualities, and while I’d been looking forward to a hearty poutine, I also had been meaning to return to Kim’s Katsu – back in May, I remember enjoying dinner here following Otafest, but the day had left me so exhausted that I only had the appetite for something small. This time around, I returned to order my favourite item on their menu – the Assorted Katsu set meal comes with hire katsu, cheese katsu and ebi-furai, perfect for warming up after a full morning outdoors in -13ºC conditions.
- Because I’d arrived right after opening, my meal came fresh from the fryer. When lunch concluded, I headed back home, grabbed my camera gear and drove out to the sod turning ceremony; by then, the clouds had completely dissipated. I felt a twinge of annoyance at this turn of events, since I was hoping to take some cityscape photos under better skies, but the flipside of this was that the filming for the sod turning ceremony was very smooth. While I’m probably not to return to Peyto Lake following a snowfall until October 2025 (next October, I’ll be in Takehara just in time for their Shokeinomichi Bamboo Lights Festival), I have the satisfaction of knowing I gave back to the Chinese community instead: if this foundation decides to have more events in the future requiring videography, I would be more than happy to help out.
- Back in Houkago Teibou Nisshi, after thoroughly enjoying their evening meal, the Breakwater Club share conversation over the barley tea they’d brought. When I first saw the web drama, I’d wondered if the Breakwater Club was overnighting on the island, but it turns out this was just home base for the club: Sayaka had set this up so in the event of an emergency, she could administer first aid here. After cleaning up, the Breakwater Club prepares to head for home in the web drama. In the manga, after thanking the wildlife for providing dinner, the girls go swimming before leaving. In both cases, the outcomes are identical, and if Hina had wondered if she’d joined the right club early on, by now, it’s clear that she’s a fully-invested member of the Breakwater Club.
- With this, Houkago Teibou Nisshi‘s web drama draws to a full close, and I am glad to have taken the time to watch and write about this series – in covering a familiar story in a slightly different way, the web drama was able to provide another set of perspectives as Hina learns to fish and appreciate nature with new friends. I’ve heard that another slice-of-life, Do It Yourself!, also received a live-action adaptation in July of this year, and given my experiences with both Houkago Teibou Nisshi and Yuru Camp△‘s dramas, there could be merit in seeing how a live-action version of Do It Yourself! fares in a different setting. I had thoroughly enjoyed the anime adaptation, and one of the biggest merits about rewatching a series in a different medium is seeing how a change in medium can bring out different parts of the story to extend one’s experience.
Despite receiving poor reviews in North America (Anime News Network, for instance, decries the series as suffering from significant “structural, narrative, and aesthetic issues” that creates “tonal incongruity”, in turn rendering the anime unwatchable), Houkago Teibou Nisshi was actually very well-received in Japan. Local fishing magazines praise the series for being a heartwarming and realistic portrayal of fishing, as well as correctly portraying more practical aspects like how to tie a line or get a fishing rig set up. Japanese reviewers felt that Hina’s journey provides viewers with a good idea of what picking up fishing from the perspective of a newcomer could look like, and while there’s no overarching story, showing key moments in Hina’s journey serve to remind veteran fishermen of both the highs and lows in their own experiences. Coupled with increased tourism in Sashiki, Houkago Teibou Nisshi has proven to be quite successful in Japan, and this is ultimately what made the web drama a reality. Besides giving viewers a chance to enjoy more Houkago Teibou Nisshi, the web drama also creates an exciting possibility: given that Houkago Teibou Nisshi performed well enough in Japan to garner a web drama, there is a nontrivial chance that a second season could be possible. Although the manga was delayed on several occasions, author Yasuyuki Kosaka has managed to continue on with the story, and at present, there are a total of eleven volumes to the manga. The original anime adaptation had brought four of these volumes, plus a chapter of the fifth volume to life; on the assumption that a second season could adapt another four volumes, there is enough content to adapt into the anime format. This does represent an exciting possibility, and in showing parts of the story the anime had not, the live-action drama of Houkago Teibou Nisshi is able create anticipation about where this understated, but sincere story about fishing could be headed. Of course, sales figures ultimately will dictate whether or not a second season of Houkago Teibou Nisshi becomes a reality, but even if another anime season never comes to pass, the drama does do a wonderful job of showing what lies ahead for Hina as she becomes more proficient and appreciative of eating what she catches.